Part 1 Criticism on the Textual Formation of Tales of Ise Chapter 1 Criticism on the Textual Formation of Ise: An Introduction Chapter 2 Collecting Design: In Relation to the Ise Archive Section 1 Collecting Design of Shinkokinshu and Shinchokusenshu: “Nearness of Narihira’s Poetry” in the Ise Archive Section 2 Collecting Design of Existing Narihira-shu: The Dual Structure of Tales of Ise, Karinotsukai Edition Chapter 3 Textual Quality of Karinotsukai Edition: Its Fragmental Deviation Chapter 4 Has the Narrator of Ise Changed?: So/Ko Demonstratives and a Namu Particle Part 2 An Intertexual Theoy of Tales of Ise Chapter 1 Intertexual Theory of Ise: An Introduction Section 1 At the Episode Level Section 2 At the Passage Level Chapter 2 Intertexuality of Ise according to its Numerical Order Section 1 Mukashiotoko, the Hero, Returns to His Primal Experience: The Mind-Body Dualism in Episode 1-20 Section 2 Mukashiotoko Grows as a Man of Irogonomi: The Laminating Structure in Episode 21-37 Section 3 Mukashiotoko Rests in Solidarity: Away from Solitude in Episode 38-48 Section 4 Mukashiotoko Revives: Two Resurrections in Episode 49-76 Section 5 Mukashiotoko Resigns to Aging: Compromise with Reality in Episode 77-95 Section 6 Mukashiotoko is Degenerating: Self-Abandonment in Episode 96-114 Section 7 Mukashiotoko Dies Inevitably: Compromise, Resignation, and Expiration in Episode 115-125 Chapter 3 Thematic Intertextuality in Ise Section 1 Moral in Ise: Miyabi as an Aesthetic Canon and a Compensation Section 2 Mukashiotoko is One and Consistent: Irogonomi in Ise Part 3 Miscellaneous Essays on Ise Chapter 1 Interpretations at the Episode Level Section 1 Episode 23, Part 2-3 Section 2 Episode 87 Chapter 2 The Keio Edition Isemonogatari-Ekotoba: A Newly-Discovered Karinotsukai Edition Chapter 3 KIKUCHI Yasuhiko, Isemonogatari-Yamatomonogatari Ronkou: A Review Postscript |